Vintage Tastings

By John Kapon

Experience the finest and rarest wines in the world through the eyes and palate of Acker Chairman and globally renowned master taster, John Kapon (our “JK”). “Vintage Tastings” is a written journal chronicling the incredible bottles opened at some of the most exclusive tastings, wine dinners, and events all over the globe. These entries represent JK’s commitment to capturing and sharing the ephemeral nature and ultimate privilege of tasting the world’s rarest wines. Although ratings are based on a 100-point scale, JK believes there is no such thing as a 100-point wine. Point scores assigned to each wine are his own personal attempt to quantify the quality of each experience.

All Rise

July and Europe always go well together in my world. This past week I spent seven days in seven cities racing across the continent, including one day in four countries. I remember back a few years when I did 18 cities in 26 days. Seven cities sure felt like enough this time; I guess I am getting wiser .

One of my stops had me visiting The Judge, who handed out his usual punishment, 6-8…bottles of wine. He had actually been overcoming the theft of one of his cars earlier in the day, with his girlfriend’s dog still inside. Thankfully, he got the car back. I mean the dog.

There were no dog days of summer thanks to an impressive lineup, which began with something even I have never seen, an old label of NV Jacques Selosses Champagne Blanc de Blancs. I believe Selosses’ first official vintage Champagne was 1985, and this looked and tasted like it preceded that. I would love to know when his first bottling was released, if anyone knows. This bottling had an amazing nose with big honey, butter and caramel. It was singing with its great spice and tea box. The Judge found it ‘so complex’ and lamented that it was his ‘last bottle.’ There was still nice spritz and soda to this delicious, minty Champagne. The Paradox noted how it was ‘crispy yet like an old white.’ The Judge picked up this rare bottle when he bought a cellar; he thinks the value he put on it was about thirty bucks. Hey, it’s not stealing when you’re The Judge lol (95).

Bet You Never Saw That

We knew the next bottle was a Lynch Bages, but not which vintage. The Lynch had a sexy, sweet nose that was still dark and full of chocolate, carob and caramel. There was great dust and spice here. Its palate was gorgeous, make that soft and gorgeous, moving in slow motion like a good Pantene hair commercial. Plush and lush, this 1959 Lynch Bages felt like it was in the right spot at the right time (94+).

A surprisingly good 1929 Haut Simard turned out to be a stunner. At first, it was very dirty, but it fleshed out and revealed great fruit. The Paradox found it ‘punchy’ while G-Girl noted ‘iron.’ There was nice broth to this youthful ’29. The Judge decreed how its ‘freshness (was) incredible.’ Flavors of blackberry, curry, iron and red cherry revealed themselves on this smooth and creamy red. Delicious (94).

Name That Wine

A 1928 Lamouroux was a Margaux, I believe. There was cinnamon and spice there to this relatively fresh wine. It was lighter and leaner in the mouth, possessing less intensity and more water. It was still alive is about the best thing I can say (85).

The Judge pulled out a wine with no label, only fragments of one, as if he had dug this up in an archaeological expedition. This was another incredibly fresh wine, even though we all sensed an ancient presence. The Paradox noted ‘candle’ and ‘Christmas.’ There were pleasant wood components and kisses of good green to go along with dates and coffee in its nose. I guessed 1920s, then The Judge revealed this was an original bottle and cork of 1898 Lafite Rothschild. Wow! The Paradox noted ‘blood.’ Cedar, forest and carob danced in my mouth. This was like a satiny, silk robe of a wine, complete with the pipe and the babe. 116 never tasted so good (97).

Original 1898

We couldn’t get throughout the evening without at least one Burgundy, which was a young, vigorous 1990 Leroy Clos Vougeot. Perhaps the age and maturity of the previous wines made it seem even younger than it was, but it felt almost like a barrel sample! This was Modern Art in the face of a Monet exhibition, still pure and deep with menthol, spice girls and that Leroy rubber tire. Asian spice and licorice also joined the party. The palate was Monaco rich, almost buttery and crazy long. Its finish crackled with big-time fireplace action, but was still smooth (95).

Despite ending on a Burgundy note, this evening showed wherein the greatness of Bordeaux lies, in its age. This age comes in the cellar, whether it be from the Chateau or a private collector. Those that cellar these wines will always be rewarded. The verdict was in.

In Vino Veritas,
JK

Wine And The World Cup

All eyes are on Brazil right now. I’m not sure if it is just because of ESPN, but I feel like America is collectively and sincerely paying attention to soccer for the first time. While many from all over the world have descended upon Brazil for this incredible celebration of human spirit, most guys that I know in Brazil are currently in America. Of course, they are watching and rooting passionately for their country, but it’s just too much of a disruption to their normal lives. It’s also a good excuse to come to America, which most of the gentlemen I know there regularly do, and I am glad a few of my Brazilian friends were in New York this past week, led by The Ringmaster, a man after my own heart.

We followed market trends and drank Burgundy, Burgundy, Bordeaux. We started with a stunning 1993 Leroy Corton Charlemagne. This wine was singing from its nose, which was big, smoky, powerful and rich. Sounds like an ideal CEO lol. It had plenty of stick to its butter and rippled with minerals. It was full, round and delicious on the palate with great smoke flavors. Corn popped out of its glass, along with corn pops. The Ringmaster noted ‘pineapple’ in this stylish and long wine. Caramel creamed out of this hot wine’s hot pants (96+).

White Knights

The 1995 Coche-Dury Corton Charlemagne seemed overwhelmed by the Leroy at first; in fact, almost everyone preferred the Leroy initially. The Coche was certainly more feminine and elegant, and its sensuality got lost amidst the brute force of the Leroy. However, with time, it kept gaining and unfurling into a longer and more intense experience, and in the end I considered the two wines neck and neck despite the clear difference in style. The Coche had more white fruit, some game and was quite exotic with its almost Brazilian fruit (Brazil has some of its own unqiue fruits that are absolutely wild btw). Its palate was creamy, long and sensual. There were nice broth and earth flavors. The Jeweler came back to the Coche and was the first to voice his new found preference. It held with its balance, had great flesh and was in a perfect spot for maturity, albeit it more mature than the Leroy, perhaps. The acidity kept creeping out more and more, and The Ringmaster admired its ‘cotton candy.’ Don’t call it a comeback, it’s been there for years (96).

I used to drink a lot of Romanee Conti, as in RC from DRC, but it has been getting rarer to see them actually opened and drunk these days. A 1982 DRC Romanee Conti reminded me why this is the world’s most expensive wine. At the beginning of the dinner, we were having the La Tache versus RC conversation, and I remarked how La Tache is always better to drink at a younger age, because RC needs about 30 years to start hitting its sweet spot. The 1982 played the role of ‘exhibit A’ perfectly, and 1982 isn’t supposed to be a great vintage for red Burgundy. Jayer also excelled in 1982, showing that a great producer will make great wines every year…or at least 9 out of ten vintages . The RC had a great nose that exuded signature aromas. Autumn, musk, menthol, red fruit and honey all abounded. The wine was fuller than full and longer than long, and it was quite tropical, even possessing a hint of orange. Its nose was super complex, and its palate was elegant, chalky and dusty. There was Asian spice, tea and broth here. One could see the wisdom of age in the ’82; this was a man, not a boy. ‘Soooo good,’ I wrote. Even though it won’t get any better, and probably is a point less ultimately, it showed so well, and I just had to give it (96).

Heavy Duty

The 1990 Leroy Richebourg that followed seemed almost infantile by comparison. This showed much younger, deeper and blacker. I supposed it was starting to show some skin by Leroy’s usual standards, but the ’82 RC was so deliciously mature, it skewed our perspective. The Richebourg’s palate was big and oaky without being obtrusive; it squared up a bit but its thickness could not be denied. There was a bit of that Leroy gas and ass, both in kiss quantities. It got better in the glass, both fruit and finish-wise (95).

We ended where it arguably all began with a pair of 1982 Bordeaux, specifically a 1982 Pichon Lalande. It was a great bottle, but tighter than I ever remembered it being. There were aromas of peanut brittle, caramel, nutter butter, green bean and a pinch of thigh cream. This was long, elegant and solid, but I definitely felt like I should have opened it up a few hours earlier. This was still my nutty buddy (95).

The Best for Last?

The 1982 Mouton Rothschild was another level. It, too, was tight, but darker and deeper as well. This was a spectacular wine that wasn’t all about the pleasure; in fact, it may more have been about the pain and rain, but it was much longer than anything we had this night. This was a lifetime wine, and while arguably all of the Burgundies gave more pleasure now, there was no question which wine would still be standing long after all of us. The debate of now versus later in the context of greatness will always be debatable, and while I got more pleasure out of the Burgundies, I still recognized that this was the wine of the night (97+).

By the end of the evening, I left cheering for Brazil in the World Cup, against the USA in the final, of course.

In Vino Veritas,
JK

Hong Kong Invasion

This past week I was in New York, but I might as well have been in Hong Kong, as the three dinners on my calendar were with three of HK’s finest collectors, all in New York on separate business occasions, although there were a couple of interconnected links.

The Chairman is a name bestowed on three different individuals in three different continents as far as Vintage Tastings lore goes, but it would be safe to say that they all might defer to the one in Hong Kong for any final votes in the boardroom. A number of us were treated to a night of incredible wine and food in the private room at Bouley, as the pulse of America’s and China’s investment market met and broke bread and reds.

I think five bottles of 1995 Krug went down the hatch by the time we sat down to dinner. The 1995 is definitely getting better with age, and it is starting to thicken a bit. It was still rustic yet bready, with nice oil and vitamin flavors, flirting with outstanding (94+).

The 1997 Chave Hermitage Blanc took up the Montrachet challenge, and if there were ever a white that could knock a Montrachet down to its knees, it would be this. While some might put its personality under the ‘acquired’ or ‘geeky’ category, I find his whites fabulous and unique. It had that glue-do-voodoo kink, which hopefully anyone who has had his whites will understand. There were kinky fruits, icy flavors and diamonds sparkling on its finish. It was round and full, with mango, game and (good) bitter flavors. This was a white wine still ascending at age 17, although its fruit was starting to hit that sweet spot (95).

The 2000 Drouhin Montrachet Marquis de Laguiche was more than up for the challenge. This is my favorite Montrachet in terms of price-to-quality ratio. It always delivers outstanding quality without the stratospheric price tag, and this was no exception. The crowd immediately jumped in the Montrachet camp, but of course, they were bankers, so no surprise there J. Its nose oozed buttery spice, along with nice mint, cedar and cream aromas. Its palate was long, smooth and buttery, while Jennie observed, ‘overripe pineapple.’ I loved this wine (95+).

The Chairman plucked off the list a 1978 DRC Echezeaux. The bottle was a bit bruised and battered on the outside, but absolutely perfect on the inside. You could not ask for anything more out of this wine. Aromas of sous bois, menthol, autumn and dried beef all fought for our attention over its sappy, tree-lined fruit. This was a smooth, satiny and delicious wine; long, classy and classic all at once. Its flavors had a nice brothy quality to them, and the wine delivered secondary and tertiary action that carried us on wings into the next course (96) .

Riding Dirty Off the List

A pair of dueling ’90 Right Bankers were next, beginning with the 1990 Angelus. This was reportedly Hubert’s favorite vintage of all-time. It was deep, big and long with black fruits, bread and great dryness. It was quite thick and long, toeing the line between New and Old Worlds quite deftly. It didn’t please everyone in the crowd as ‘too aggressive’ and ‘anchovy’ came out, but I liked and respected the wine (95).

The 1990 Le Bon Pasteur was exotic and coconutty with a shot of whey protein in there. This was a Pomerol Power Smoothie, drinking great with rich fruit and plummy fruit flavors. Many in the room preferred it, and it was certainly in a better spot as far as drinking right now (94).

90 Power

The classic showdown of Palmer versus Margaux never gets old, especially when they are both from 1983. The 1983 Margaux had a deep, invigorating nose with nice black and cassis fruit. There was some grass and honey along with deeper fruit in this classic Margaux. It was both masculine and feminine at the same time (95).

The 1983 Palmer was neck and neck with the Margaux, although I didn’t get a chance to write a complete note. The first ‘Ganbei’ of the night struck. For those of you who don’t know what it means, it means ‘bottoms up.’ Yes, it seems a bit inappropriate when it comes to fine and rare wine, but the power of the Ganbei is greater. If in China, and someone says it, I highly recommend that you drink up. When with the Chairman, it is mandatory (95).

Twin Billing

Two mighty magnums signaled the end of the Bordeaux part of our evening, beginning with a 1961 Lafite Rothschild. This wine has never lived up to the reputation of the vintage, but it is still an excellent wine. It had a lighter nose than one would expect from a ’61 First Growth, but there were pleasing aromas of toffee, pencil, cedar and caramel. Its palate was smooth, light and tender with a nice core of sweetness leaning on the toffee side. I believe ‘jolly good’ might be an apt descriptor (93M).

The 1959 Margaux had a richer nose that was blacker. There was a touch of gas to this also smooth wine. A hint of apricot tiptoed out of this wine’s catacombs to show exotic fruit. OTR commented, ‘the Lafite would just lay there, while this one would put me in positions’ he never knew he was capable of, or something to that effect. Point, set, match, Margaux (94M).

Out of Magnum No Less

Actually, it wasn’t the end of our Bordeaux program, as I had to slip in a blind wine of my own. Such generosity must be reciprocated. I told everyone if anyone guessed what the wine was, dinner was on me. After a few near-misses, The Chairman was honing in, so I decided to reveal it was a 1979 Petrus. This was a gorgeous bottle with an open nose full of chocolate. There was ‘a big, bold finish’ per someone or another, and its foreground was satiny, round and smooth. Mints, olives and other usual Petrus friends joined this party (95).

We had a couple more Ganbeis revisiting some of the Bordeaux, then a couple of Jaboulet Hermitage La Chapelles. The 1989 was a dirty birdie (92) and the 1990 was jammy, chewy, friendly and zippy, one of the better bottles of this that I have had recently (94).

Oh yeah, we had some 2001 Yquem. Although I rarely drink sweet wine, that one rocks (98+).

I’m not sure how I managed to have lunch the next day, but the fact that it was at Marea helped. The Artist Formerly Known as Dr. Vino plucked a delicious 2012 Pierre-Yves Colin-Morey off the list, and I felt better again. I can’t remember which wine it was, but they are all good from this up-and-coming Burgundy star.

For those of you that really pay attention to what I write, you may remember a group from Hong Kong called the AlcoholiHKs. Well, one of their Chief Drinking Officers was in town, so we two CDOs got together at Sparks, since he wanted a great American steakhouse. Since I was out Monday with the Hedonist, Tuesday with The Chairman and Wednesday again, dinner was at 5:30. If I wasn’t home by 7:30, I think I might have gotten a homemade vasectomy. So we shared a single bottle, a reasonable 2004 Montrose off the list. It was big and brawny, a bit tight at first, showing more oak than anything else. With some air, and some steak, it settled down into another drinkable ’04, solid but not earthshaking (90).

A couple of days later, I was lucky enough to catch The Zen Master while he transcended through New York City. The Zen Master is also a wine master, so there was only one place to take him: Charlie Bird. We warmed up with a 2007 Raveneau Chablis Montee de Tonnerre. It was quintessential Chablis; the ultimate starter wine. It drank like silk embroidered with exotic sea shells and minerals. There was smack to its lemony, tangy palate, and enough length to get into the serious class (94).

The Zen Master selected a 2011 Roulot Meursault Clos des Boucheres, a personal favorite of Sir Robert Bohr’s. This showed 2011 is in the same class as 2007 for whites, a sentiment recently echoed when I was in Burgundy, although everyone seemed to give the nod to ’07 overall. I know Chablis has its own personality relative to the rest of white Burgundy’s vintage charts, but work with me, I’m writing over here. The Meursault was fat yet cut, plump with its ample cleavage aka fruit. It had that signature Roulot flavor, and its smoky sex appeal hit my sweet spot. It was bigger and louder than the Chablis, obviously, and it fit perfectly in the progression of the evening (94).

Group Shot

The Zen Master also picked an intriguing bottle of 1961 Giacosa Barbaresco Riserva. I believe this was before they made single-vineyard wines, and only one Riserva, but I am not sure 100%. This bottle was on the mature side but still drinkable and enjoyable. It had that sweet, open, leathery edge with lots of brown sugar. The tar and caramel came out more and more, and this gritty wine left all of us lip smacking. It did feel like it lacked that usual, extra Giacosa dimension, for whatever it’s worth (92).

Old School

1983 Guigal Cote Rotie La Mouline. When it comes to the La la’s, there is no doubt that the La Mouline rules the roost, although any given Sunday, La Turque or La Landonne can of course steal the show. I doubt anything could show much better than this ’83. It was a great bottle, showing everything that La Mouline wants to give. Its nose was deep and dark, full of purple, violet and black fruit. Bacon, pepper and that Rhone hot rock spice simmered throughout the wine. This was big, rich yet deft, an agile wine on a heavyweight level (97).

There was one more wine on our menu, although we probably could have done without. Yeah right, it was a 2002 Rousseau Chambertin. 2002 has always been a darling vintage of mine, but it is starting to join my favorite camp. Dare I say greater than 1999 or 2005 as far as Red Burgundy vintages go? If we are talking pleasure right now, it is tough to argue against the 2002, and it still has a long way to go. There was flesh to the usual musk, wet bamboo and cherry fruit. It was open and singing, singular in its powerful terroir, and long with its acidity. This was a great wine, a definitive knockout blow (96).

Three of my favorite restaurants in NYC (Bouley, Marea and Charlie Bird) along with three of my favorite friends in HK made for three of my favorite things last week, all here in New York City. When it comes to fine wine, invasions are welcome.

In Vino Veritas,
JK

Nectar of the Gods

There was a time in the wine world when the most expensive wine in the world was Chateau d’Yquem. It was more expensive than the First Growths or Romanee-Conti, and it was the most prestigious and highly regarded wine in the world.

It still is highly regarded, considered by a healthy majority to be the greatest sweet wine in the world, but sweet wine does not hold the same weight in the market place it did 100+ years ago. Palates have changed, and a spoonful of sugar doesn’t always help the medicine go down. In fact, too much sugar might require the need for some Tums or Pepto.

Personally, I rarely eat dessert or drink dessert wine because by the time I reach the end of dinner, I have had enough wine to cover the need for either, and I would prefer to finish the wines that are usually still in my glass. Remember, your body breaks alcohol down into sugar, so there is a sensitivity there that many take for granted.

However, I still love sweet wine. There is nothing quite like it in the world, and a little nip can be irresistible, especially on a first date lol. And when it comes to sweet wine, there is Chateau d’Yquem, and then everything else. When the Wine Workshop put together a tasting of twenty-two vintages from 1990 back to 1945, with David Bouley himself in the kitchen, I had to get my sweet tooth on and see if I could handle this memory and sensory overload. I did spit more than usual, I must confess.

Lunch with Bouley Is Always A Yes

We started with the classic quartet of 1990, 1989, 1988 and 1986. The 1990 Chateau d’Yquem had aromas of seawater, salt, honey, beeswax and candlewax in its nutty and creamy nose. It became more reticent with time in the glass, but its palate stayed honeyed, and it was ‘more textured’ than some of the others in the flight. Orange kisses blew gently over its finish. Interestingly enough, it seemed almost shut down after the 1989, but this was certainly a great Yquem with decades of potential (96).

So Young Yet So Good

The 1989 Chateau d’Yquem had the darkest color of the first four, suggesting a faster maturity curve, meaning drink up by 2050 lol. Strangely enough, there were more slate and rock aromas (suggesting youth), but that nutty, marzipan goodness was still there. This was a very musky wine, ‘more open and evolved’ per the Copperhead. Its palate was creamier, sweeter and more congenial than the 1990. It was honeyed with layers of caramel flavors, and so good now. This is THE vintage of great, young Yquem to drink, possibly over the next two decades (96).

The 1988 took charge of the flight; it was regal by comparison. There was a little herb and marijuana in its nose, with some earth and honey. Its nose came across leaner yet deeper, and lavender emerged. Its palate was the longest of them all, and the Copperhead noted its ‘cough syrup viscosity.’ This was beauty and the beast all in one, clearly the best Yquem since ’75 and until 2001 (98).

The last wine of this flight was a disappointing 1986 d’Yquem. It smelled on the tight side and was icy in its profile. There was a bit of Teppanaki to some meaty qualities, and ‘smoky’ and ‘cheese’ came from the crowd. Its flavors were a bit awkward after the first three, and this was less pure with a bit of alley and wet cement on its finish. It should no longer be in the discussion of great Yquems from the Eighties (93).

Foie You

The 1983 d’Yquem also had a deeper color a la 1989, a veritable sibling. There was smoke and cement in the nose, along with honey and caramel. Open orange flavors were supported by creamsicle ones. There was less purity to its sweetness as it was a bit tangy, make that very tangy. Its lemony finish dominated its palate, so much so that it left a sour impression. Some food cut the sourness, but the ’83 remained a bit wild, weedy and tangy. It was another vintage that didn’t live up to its reputation, or its rating that everyone relies on (93).

1982 was a great vintage for red Bordeaux, but not so much for white. I am not sure I believe that sentiment anymore after having the 1982 d’Yquem. There was more mint here, ‘similar’ to the 1983 per the lady on my right. It had a smoky nose with some exotic spice. There were lots of wild greens, and then it hit me – mint jelly! The palate had it, too, and it finished well. This is an undervalued and underappreciated Yquem that put on a good show, stealing it from the ’83 (95).

The 1981 d’Yquem had a ‘smoky’ nose with a bit of turned milk and unfamiliar forest. There was candle wax and dry brulee there in the nose and the palate, and the Copperhead remarked how its ‘palate was better than nose.’ I agreed. There were pleasant rocky flavors on its finish, and more bitters emerged in this ‘very acidic’ Yquem (91).

The Burger Is Always Well Done

The 1979 d’Yquem was another sleeper, surprisingly clean and fresh. Honey was there, but not in an open way; in fact, this was shier than expected. Smokehouse and stonewall accompanied dry caramel in its nose, and in the end this was really the most classic of the entire flight. This was right down the middle, lighter than the ’82 or ’83 but more classy. Caramel ice cream and candle wax flavors rounded out this excellent Yquem. This is a steal at auction, by the way, when it rarely comes up (94).

She Said Her Name Was Amber

The next Yquem was quite exotic, possessing more mango and passion fruit. The 1976 d’Yquem reeked of decadence and pleasure. This was a heavy and thick Yquem, quite sexy, opulent and more concentrated. Someone likened it to the 1989, and this was certainly an extroverted Yquem. There was less vim on its finish than the top-tiered vintages, but it is ‘not gonna go away’ either (95).

The legend delivered on cue, as the 1975 d’Yquem was extraordinary, as always. It was deep, showing more youth than maturity, but wisdom in regard to the latter. The aroma roll call was honey, caramel, nut, brulee, toast and more nut. Its palate was rich and lush with great acidity. This was still a baby, one with adult teeth that could bite into its long finish. I had a flash of 1988, but it really should have been the other way around (99).

The 1975 was a tough act to follow, but the 1971 d’Yquem gave it a good college try. I thought for a second it was corked, but it wasn’t. There were aromas of wintergreen and bacon, and its palate was rich and oily, sweet and bordering on great. It was a touch dirty on its finish, but sometimes I like a dirty finish (94).

Getting Serious

The 1970 d’Yquem was leaner than the ’71, but in the same category qualitatively. There were more cedar, mahogany and wood qualities, along with a great minerality. It felt younger than the ’71, but it wasn’t as opulent. This reminded me of the 1979 with its earthy, long palate (94).

There’s Iron Man, and then there is Gold Man. He found the 1967 d’Yquem ‘where old and new meet,’ and he was right. This was the vintage where you felt that perfect balance between youth and maturity. I guess 46 years old is about right ha ha. The ’67 was so decadent and sweet, with its sugar qualities browning in a good way. It was definitely more mature than anything so far (duh), but it was still so good, and great dust and mineral flavors were on its finish. Its acid was still deceptively strong. This was a hedonistic Yquem that will still age forever (97).

The 1966 d’Yquem had vitamins in its nose, along with rose and potpourri. This was another Yquem in the more exotic category. There were a hint of bathroom flavors in that potpourri direction, but this was a solid Yquem (93).

The 1962 d’Yquem had a candle wax and peanut brittle nose. There was real vigor here in regards to nose. This had smoky and nutty greatness, along with some red hues that carried over to its palate with red fruits, in an October hunt kind of way. There were nice fruit and caramel flavors, and a long, stylish finish to this classic Yquem. Its acid was great, and Philippe found it ‘ethereal with no heaviness’ (95).

The 1961 d’Yquem was much browner with sugar and cola in its nose, Dr. Brown’s celery soda to be precise. Its palate was round and sweet with cola flavors but also a touch medicinal. Tangy and smoky, the ’61 had a hint of sour, although its acid was holding well (92).

I Told You So

There were six vintages to go, and four of them were legendary, the first of which was the 1959 d’Yquem. Its nose was all about the caramel, more críÂme caramel than any other wine before. Its texture was perfect, with great balance between its oil and cut. It was so delicious in a just right spot. Its acid was mid-level, and ‘great’ and ‘superb’ kept coming up in my notes. There was ‘a lot of sugar’ here from this hot vintage, but it didn’t come across overly sweet (98).

The 1958 d’Yquem was much more mature despite being only a year older. This was the first in molasses territory with hints of Madeira goodness. The palate was similar yet tasty. This was sugary sweet in a more mature way with cola and Madeira flavors yet solidly so. Gold Man noted ‘honey raisin.’ While some may have found this advanced, it was still on the enjoyable side of the curve for me (91).

The 1953 d’Yquem was a bit weird with aromas of hay, animal, stable and almost some paint thinner. There was some alley and wet dog here, and this was my least favorite of the day so far. I even found alligator action, and that’s not a good thing. I couldn’t help but wonder if it was the bottle or the vintage (88?).

Older is Better

The last flight was comprised of three of the greatest vintages of Yquem…ever. In fact, I think if you took a five year window, you would not find a better trio of Yquem…ever. We began this climactic finish with the 1949 d’Yquem. There was a divine nose here with amber love, butterscotch and butter rum. Its nose was perfectly suntanned, and there was that caramel greatness a la the ’59, but this was heavier. In the end, I preferred the cleanliness of the ’59 by comparison, but that would be splitting hairs. The 1949 was like a bottle of rum raisin with a side of yo ho ho (97).

The 1947 d’Yquem took it up a notch, even though there wasn’t much room to grow. Candle wax, potpourri, straw, beef and almost some lime thai kink graced the nose. The palate was all about caramel and sex. Its acidity stood out, and it was so sexually texturally, I had to check myself. There was a kiss of orange to its ridiculously good flavors (98).

It Was A Very Good Year

The last wine of the afternoon was the 1945 d’Yquem. I have long been a proponent of this being the best vintage of all time, and the Yquem didn’t disappoint. There was more honey and sweetness here, along with noticeable t ‘n a and slate greatness. The minerality and rock solidness of the wine surpassed its rich and creamy fruit in the end, and the wine’s texture was absolutely ridiculous. Wow, wow and then some (99).

Holy Cow

Sweet is better than sour, and when it comes to Yquem, I can safely say ‘pour some sugar on me.’

In Vino Veritas,
JK

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